.... same act of proving its power to his guests Hawthorne proves to us the power of the water because when the rose regains life nobody was drunk or had even attempted to drink the water. "The crushed and dried petals stirred, and assumed a deepening tinge of crimson, as if the flower were reviving from a death-like slumber;"(page 3) It is that clear cut, and completely undeniable considering that five people witnessed the act and not one had the slightest objection. After the first drink of the potion until the last, I was still led to the opinion that what the guests were experiencing was i .....

.... time it still acts cautiously because its natural habitat is in the sky. And the he drank a Dew From a convenient Grass– And then hopped sidewise to the Wall To let a Beetle pass– When the bird finally flies away the poem's flow mimics that of a flying bird, very calm and free "And he unrolled his feathers / And rowed him softer home–". She describes a birds flight like rowing in an ocean, but without all the splashing of the oars. In the first two stanza of the poem she rhymes the second and fourth lines of the quatrain. A Bir .....

.... clue who the father of Pearl is but until you get to the second scaffold scene you don’t know for sure. At the second scaffold scene Dimesdale is on the scaffold and Hester and Pearl come up and join him. Dimesdale is wearing down by the burden of his sin he committed. He goes to the scaffold to confess to God and ask for some kind of forgiveness. Then a cloud forms the letter “A” in the sky and everyone thinks this stands for angel because that’s how they view Dimesdale. Then when Dimesdale goes to leave he leaves his glove on the scaffold to symbolize he was the .....

.... because he can't imagine living anywhere else. The three men spend the night together. The next morning they start walking to Tom's uncle's house where Muley has told him his family is. When they arrive at Uncle John's house Tom's family is very happy to see him. There is hugging and talking before they get back to the seriousness of there problems. They discuss the condition of the used truck that they bought as well as how much money they have. Tom's grandfather is worried about leaving. He says that he wants to because there are many opportunities out. Tom convinces them that they can .....

.... symbolic level: Steinbeck’s novel can be analyzed by the commonly used mathematics principle of fractals. This relates to The Grapes of Wrath by enlightening the reader of the fact that many things are identical at different levels. The first level, the literal, is simply to describe the events the Joads witness and experience. Steinbeck uses the journey to place his characters in a range of dilemmas. He is then able to draw reactions from them. As each character involved in the situation reacts, we are able to see Steinbeck's respect for the poor shining through. Steinbeck stresses t .....

.... upperclass England. Marriage is central for all characters in the novel: not just daughters and sons, but parents, aunts, uncles and everybody else who has some interest in the subject. Though it is of course most in the interest of the daughter herself to get married, the interests of the own family can be important for the choice of husband and wife. It is not appropriate for the daughter to choose whoever she likes for her husband, which she- if she wants a happy marriage- is not very likely to do. I will discuss the reasons for the careful choice of a proper husband below. "It is a t .....

.... other people. He explained to Marion his loyalty to his mother which if her mother really is like described, he is the best boy a mother can have. In comparison to Marion, the has actually even more logically than she is - a normal person, as he point out she can’t hide from the traps once she choose to step on them. ‘I think that we’re all in our private traps-clamped in them. And none of us can ever get out. We- we scratch for all of it but we never budge an inch.’ The logic of his mind can even explain and redirect a normal person, and therefore, the dialogue is very sign .....

.... relate to action. 7 Put out the light, and then put out the light! 8 If I quench thee, thou flaming minister, 9 I can again thy former light restore 10 Should I repent me. But once put out thy light, 11 Thou cunning'st pattern of excelling nature, 12 I know not where is that Promethean heat 13 That can thy former light relume: when I have plucked the 14 rose 15 I cannot give it vital growth again, 16 It needs must wither. Ö (Othello, 5.2.7-16, p. 306) Shakespeare sets the tone of the passage with one simple introductory line, "Put out the light, and then put out the light!" The line .....

.... rebel to the book-banning laws) compares mankind to a phoenix that burns itself up and then rises out of its ashes over and over again. Man\'s advantage is his ability to recognize when he has made an error, so that eventually he will learn not to make that mistake anymore. Remembering the faults of the past is the task Granger and his group have set for themselves. They believe that individuals are not as important as the collective mass of culture and history. The symbol of the phoenix\'s rebirth refers not only to the cyclical nature of history and the collective rebirth of h .....

.... to go look at the woods much like the author. "Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow." The persona is saying that he knows who owns the woods, but he won’t see him looking at the woods because he lives in the town. The author knows that Bob will not visit because he only owns the woods, he lives in the town and does not appreciate the beauty they possess or he would be there visiting them himself. The author is appreciating life and the freedom that he has while obser .....