.... written, it was honorable to seek justice when one has been wronged. Oedipus was mistreated and therefore sought justice. Oedipus, when faced with an opportunity to seek the truth, pursued it with conviction. He sought to find his true birth parents, but a distressing prophecy was revealed to him. Being the righteous man he is, he attempted to thwart his fate by leaving his parents. Later, he journeys into Thebes (his true birthplace) and saves its people from the terrorizing sphinx. The people of Thebes are grateful and make Oedipus their king. Moreover, Oedipus' righteousness prop .....

.... Blevins’ death. John sets out with a passion to kill the captain and regain the horses, but realizes that the captain will have a tougher time staying alive and John let’s him go. This relieves the tension that Blevins’ death caused. Honor towards family plays one of the most important roles in The Unvanquished as well as in All The Pretty Horses. Bayard must honor his family name by killing B.J. Redmond and live by the same term his father did, “who lives by the sword, must die by the sword” (Page 214), but Bayard chooses to confront Redmond in a different, courageous way, .....

.... shown in his novel, . Vonnegut's prescription for dealing with the tragic absurdity of the twentieth century is to simply not deal with it. In his novel, Vonnegut shows that he is more inclined to sit back and watch than to let things effect him. Being an anti-war novel, his book is filled with shocking events and gruesome deaths. But Vonnegut portrays death as something trivial. Every time someone dies or something bad happens where the reader might think "oh my gosh, that's awful!" Vonnegut says, "so it goes." It's as if he saying that that kind of thing happens all the time and since .....

.... to keep their literature free of war, and they wrote about the westward movement. The civil war authors told of the sorrows society felt during the Civil War. Before, during, and after the Civil War writers were writing about the society of the westward movement. A famous westward movement author was Mark Twain. Twain wrote mostly stories pertaining to life on the Mississippi River. One of his most famous novels, Adventures of Huckleberry Finn, tells of a young boy and a run away slave rafting up the Mississippi. The society of the time did not except blacks, but Huck like Twain was .....

.... the story goes on, April falls in love with Tony. April liked Tony from the beginning and her love for Tony grows throughout the story. This creates jealousy in two boys who love teasing April. "April, beautiful April, wanted him as he wanted her." Page 103 This shows that April loves Tony and loves the thought of being with him. This continues throughout the story making the texts substantially interesting. In Loving April, Tony and April's growing relationship arouses deep prejudices which threaten to engulf not just Tony and April, but also the whole village. April an .....

.... as, “…blowing,” (3) and “Flutter[ing] in the breeze,” (23). This creates a sense of freedom and flexibility. The woman in the poem, presumably Amy, wishes to be like the moving flowers, carefree and jaunty. In the second stanza of the poem, the woman begins to describe the water in the marble fountain. The, “…plashing of waterdrops,” (28) and, “…plopping of the waterdrops,” (54) describe liquid in motion. The fact that she notices such little details in a fountain shows how intent the woman is on being free and able to mo .....

.... in the family. Throughout Act I, there were several more examples of characters yielding to others and not standing up for what they believe. For instance, when Lady Capulet brought up the idea of Juliet marrying Paris, Juliet just went along with the concept , even though that was possibly not what she wanted. An even more significant instance of such a thing occurring is the fact that Juliet feared to tell her parents that she had fallen in love with Romeo, a Montague. She knew that if she informed them of how she felt, they would get angry and maybe disown her, just .....

.... for the crown is stronger than knowing what is right. Macbeth kills Duncan and is wracked with regret, fear, guilt, sorrow. This time he hears voices saying he has murdered sleep. He comes into his own chamber to his wife, bloodied and wailing and falling apart. He cannot believe what he has done. He obviously is not truly evil at heart but this 'milk of human kindness' he is able to push away to achieve his evilly-motivated goal to be king. After this first murder the idea of killing to be able to get what he wants seems less horrific to Macbeth. He easily kills the king's servants the next .....

.... prose prances, a declaration of freedom, an assertion that can be whatever he wants it to be coy and teasing an ironic and brutal all at once. . .[Rushdie’s work] is responsive to the world rather than removed from it, and it is because of this responsiveness that the mode in which he work represents the continued life of the novel. . . and one wants something better to describe it that the term ‘magical realism’— is an assertion of individual freedom in a world where freedom is strangle. . . "(360, Editor) Christopher Lehmann-Haupt boldly asserts, "If Mr. Rushdie had followed [the .....

.... but Lear could not see that. Later, Lear's vision is so superficial that he is easily duped by the physical garments and simple disguise that Kent wears. Lear cannot see who Kent really is. He only learns of Kent's noble and honest character just prior to his death, when his vision is cleared. By this time, however, it is too late for an honest relationship to be salvaged. Lear's vision is also marred by his lack of direction in life, and his poor foresight, his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his acti .....