.... the poet to further implicate his or her beliefs and situations. Thus, the use of physical artifacts provides a freedom to express that which the characters in each poem lacks in their lives. Though unable to grasp the images that they create, each character in the poems gains a sense of self awareness. These utopian moments expressed by the creations are frozen, images that surpass the lives of their creators and remain intact with meaning. Through the utilization of physical artifacts, Aunt Jennifer and the Ornament maker depict idealized situations through the use of visual .....

.... Thames, he is telling us in this second line that even a river which is a force of nature, is owned in London. When Blake says that he sees "marks of weakness, marks of woe" in "every face" he meets, he means that he can see how this commercialism is affecting everyone rich and poor. Yet, despite the divisions that the word charter'd suggests, the speaker contends that no one in London, neither rich or poor, escapes a pervasive sense of misery and entrapment. The speaker talks of how in "every cry of every man" he hears the misery. Blake is once again reminding us that this is affectin .....

.... superficial view of himself, almost seeming angered when one of the tramps interferes with his wood chopping: "one of them put me off my aim". This statement, along with many others, seems to focus on "me" or "my", indicating the apparrent selfishness and arrogance of the narrator: "The blows that a life of self-control/Spares to strike for the common good/That day, giving a loose to my soul,/I spent on the unimportant wood." The narrator refers to releasing his suppressed anger not upon evils that threaten "the common good", but upon the "unimportant wood". The appparent arrogance of the .....

.... the Guelphs for whom Dante's family was associated took power. Although born into a Guelph family, Dante became more neutral later in life realizing that the church was corrupt, believing it should only be involved in spiritual affairs. At the turn of the century, Dante rose from city councilman to ambassador of Florence. His career ended in 1301 when the Black Guelph and their French allies seized control of the city. They took Dante's possessions and sentenced him to be permanently banished from Florence, threatening the death penalty upon him if he returned. Dante spent most of .....

.... II, "The Seven Ages" A. Malin's domination of this act 1. Serves as a guide 2. Controls the characters through his introduction of each age B. Others support Malin's theories by drawing from past, present, and potential future experiences C. The ages 1. The first age a. Malin asks the reader to "Behold the infant" b. Child is "helpless in cradle and / Righteous still" but already has a "Dread in his dreams" 2. The second age a. Youth, as Malin describes it b. Age at which man realizes "his life-bet with a .....

.... traveler "looks down one as far as I could". The road that will be chosen leads to the unknown, as does any choice in life. As much he may strain his eyes to see as far the road stretches, eventually it surpasses his vision and he can never see where it is going to lead. It is the way that he chooses here that sets him off on his journey and decides where he is going. "Then took the other, just as fair, and having perhaps the better claim." What made it have the better claim is that "it was grassy and wanted wear." It was something that was obviously not for everyone because it seeme .....

.... intends to represent a very painful condition of the mind, as of an imagination that was liable to topple over into some delirium or an abyss of melancholy, from the continuity of one unvaried emotion.” Edgar Allen Poe, author of “The Raven,” played on the reader's emotions. The man in “ The Raven” was attempting to find comfort from the remembrance of his lost love. By turning his mind to Lenore and recalling how her frame will never again bless the chair in which he now reposes, he is suddenly overcome with grief, whereby the reader immediately feels sorry for the lonely man. .....

.... that the "flower or the fruit is a variant of the worm's dwelling constructed through destruction. Thus, as a word, worm is meaningful only in the context of flower, and flower only in the context of worm" (41). After Riffaterre's reading and in terpretation of the poem, he concludes that "The Sick Rose" is composed of "polarized polarities" (44) which convey the central object of the poem, the actual phrase, "the sick rose" (44). He asserts that "because the text provides all the elements necessary to our identifying these verbal artifacts, we do not have to resort to traditions or symb .....

.... has in mind. They are, for the most part, poems in which reference is made with fine particularity to certain places. They were composed as the expression of feelings which were occasioned by quite definite events. Between the lines, when we know their meaning, we catch glimpses of those delightful people who formed the golden inner circle of his friends in the days of his young manhood. They may all be termed, as Coleridge himself names one or two of them, Conversation Poems, for even when they are soliloquies the sociable man who wrote them could not even think without suppos .....

.... and spending, we lay waste our powers' (2:TW) Wordsworth also hopes that the world would find more of itself in nature, similar to his desire for his sister in his poem, 'Lines Composed a Few Miles Above Tintern Abbey', to gain an interest in nature. 'For this, for everything, we are out of tune;' (8:TW) Wordsworth also makes reference to the Greek gods of the sea in this sonnet, who are associated with the pristine nature of the world. The gods represent a time when people were more vulnerable and exposed to nature, and through adversity have learned to respect nature. 'I'd rather be / A .....